Film: Tuner
This evening, the best film looked like Tuner, about a piano tuner turned safe cracker. Closest evening showing to me was in the Everyman Broadgate - nice and late, so I could get some overdue work done. Looking for eateries nearby - what should I discover but "Nando's Liverpool Street"! Well, never knew they had one there.. so that's where I headed, on a bus to Liverpool Street Station.
Figured the fastest was to cut through the station - didn't realise it was actually in the station! That bit at the end of the station was just under construction when I lived near there. Crikey, it was well needed - there was nowhere decent to eat in the station at the time. Well, it was busy, but I got a table.. WiFi was pretty bad, so I ended up on the station WiFi, which wasn't great either. It took a while to order, therefore.. and it wasn't obvious where to get the cutlery - the lady who took me to my table had said, but she was both softly- and quick-spoken, and the place was noisy, so I hadn't a clue what she said. She was a bit miffed when I asked her again - turns out it's around the other side from the sauces.
Food was lovely, as ever.. and I finished early enough to have a second glass of wine. Got lost, looking for the cinema, with all the new buildings around there - made it roughly in time, bought my ticket at the bar.. this is one of the places with sofas, and I think, if you book online and choose a sofa, you're made to book two seats. Not a problem in person, and I ended up with a sofa all to myself. She handed me a menu, and asked me to head in to the screen, where my order would be taken. Hmm.. sure enough, it took forever, but she did come around - and I did even get my glass of wine before the film started.
So, a heist film - but this is so much more. For one thing, our sound-sensitive star works for an elderly gent whom I immediately recognised - I hadn't seen Dustin Hoffman's name on the credits! And not only at the start of the film - and at the end - but also in the middle, with all the crime capers happening - you'd hardly remember it's a crime film at all. It's focused on music, and on this guy's sensitive ears - so sensitive, indeed, that he can't stand the everyday noise of New York, and has to wear headphones most of the time. We spend much of the start of the film reliving a New York of bygone days, through the eyes of Dustin Hoffman - and then our protagonist gets himself a girlfriend who's a pianist and a student of composition; they meet when he comes to tune the grand piano at her school for the big concert at which she's going to showcase her talents.
There is crime, and he gets mixed up with some nasty people. But throughout, this is not a standard heist film - the plot is unusual, the characters too. There's a good bit of comedy - and honestly, much of the film works better for the charisma of the lead actor, Leo Woodall; not bad at all to look at, he manages to hold many a scene in silence, or hardly speaking. No better man to look focused on listening to the faint sounds a safe makes as it's being cracked.
Really, a lovely, engaging film - highly recommended. Not really one for action buffs - our lead actor here is not an action hero, and avoids it when possible. More a character-driven piece. Very well done.
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