Concert: Symphonic Rock
These next two days, I was thinking of film - and what was coming up for today was Quo Vadis, Aida?, the Bosnia & Herzegovina entry for Best International Feature at the 2021 Oscars. It's the true story of a UN translator trying to save herself, her husband, and their son during the Bosnian genocide. Showing in the Lexi, Kensal Rise only.
But you know, it's a nightmare to get there - so when CT popped up with an ad for Symphonic Rock tonight in the Albert Hall, I was interested.. slightly quicker, and a lot easier, to get to, and with the Royal Philharmonic Orchestra playing rock classics, it sounded more fun. I hadn't anything booked - so I booked that! I wasn't in time to make a food reservation there, so booked Stein's Berlin, down the road, for beforehand. My actual concert ticket, which was a lucky dip, was sent to me later in the afternoon - and hey, for £10, I got a seat worth over £40, in the Choir.. not so bad..
Arrived at the restaurant slightly early, and was squeezed into one of three small tables at the side - really, they should have removed the spare seat at mine to make more room! As it was, with the table on one side of me occupied, they had to move my table to allow me to squeeze into my seat - just.
I didn't fancy any of the starters, just ordered a chicken schnitzel - unfortunately, they all come with potato salad, which I don't like. Ordering wine was confusing - they point out that all glasses are medium size, but it took me a minute to see that some wines had two prices - one for the glass, obviously, and one for the bottle. Which was just as well, or that'd be an expensive glass.. Anyway, they don't have a Sauvignon Blanc by the glass, but their Pinot Grigio is lovely.
And I spent a full 40 minutes staring at it, before my schnitzel arrived. It was also very nice, I have to say - and a good deal less salty than they are at Schnitzel Heaven. It wasn't until I'd finished it that the waiter asked whether I'd like another glass of wine, having finished mine - I just about had time, so I agreed, then scuttled up the road.
Handily, you can take drinks in - in plastic - so I got another wine - the Porch Bar only had Chenin Blanc, so I had that. And was delighted to find that the Choir entrance was just up from Ground Level! I did have a few steps to climb inside, though:
As someone near me remarked, it's a great view of the orchestra.. and I have to say, on the whole, they played a blinder. They brought in a couple of electric guitars, of course - and a line of backing singers: and that's where I felt let down: because the singers only did choruses, by and large.. we had to imagine the verses, and while that didn't always make a difference, especially if the melody was good (and certainly, we sang along to fill in the gaps), sometimes it really did. Most especially for Thunderstruck, which had a fantastic intro.. then nothing but music, just as you might have been expecting to hear the voice chime in. Yes, they did the backing - but you really missed the lead singer.
Anyway, they had a great repertoire - at least they did sing all the words to Born to Run. There was Pour Some Sugar on Me, We Will Rock You, Life on Mars (again, no words, I just sang along), Sweet Child of Mine (ditto), Simply the Best (no words), Bohemian Rhapsody to take us to the interval - this, they sang most of. After the interval, we had Jump, Satisfaction, Another Brick in the Wall, Total Eclipse of the Heart.. all without words. Stairway to Heaven didn't need them. Living on a Prayer, we supplied the words to. For I Don't Want to Miss a Thing, the audience brought out their phone lights:
No denying they were good - but these are iconic songs, and given that there were singers, I think it was a shame they weren't used more - they didn't have to sound perfect. Anyway, it was a good night - and with lighter traffic at that hour, I got buses home.




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